Ornela Vorpsi: The Country Where No One Ever Dies
Memories of an Albanian childhood supply the collection of vignettes that amount to Ornela Vorpsi’s debut, The Country Where No One Ever Dies (2005), translated from the Italian by Robert…
Memories of an Albanian childhood supply the collection of vignettes that amount to Ornela Vorpsi’s debut, The Country Where No One Ever Dies (2005), translated from the Italian by Robert…
There’s an old Persian myth about a black stone that, when confessed to, absorbs and absolves, until the day comes when it can take no more and explodes. This is…
By the time she was ten years old Tove Ditlevsen knew she wanted to be a poet. The biggest obstacle to that dream was the times in which she lived.…
The unnamed husband in Jun’ichirō Tanizaki’s The Key (1956, tr. Howard Hibbett, 1960) has long maintained a diary, though as he opens his first entry for the new year, he sets out…
Danish writer Peter Adolphsen‘s first work in English was his 2006 novel, Machine, which followed a drop of oil over the massive expanse of fifty-five million years, and somehow wrapped…
“Having never seen them, I can only imagine them” is how David Albahari’s narrator opens on the subject of Götz and Meyer, two non-commissioned officers, in this 1998 (tr. Ellen…
Ghosts, creaky old mansions, seances, and the 1970s, are the surface level features of The Apparition Phase (2020), the debut novel from Will Maclean, a ghost story that straddles the…
The passage of fifty-five millions years sounds extremely epic, but here, in Peter Adolphsen’s Machine (2006, tr. Charlotte Barslund, 2007) that passage in time is compressed into the less monumental…
Despite existing in some literary middle ground between short story collection and novel, Jim Crace’s debut, Continent (1986), won the Whitbread First Novel Award. His encore, The Gift of Stones…
“Where does something begin?” is the opening line to Kerstin Ekman‘s The Dog (1986, tr. Linda Schenck and Rochelle Wright, 2009), and it seems at first a silly question. Where…